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(She says it’s also kind of a Greek tragedy.) She’s working through the fallout from the end of a marriage while nudging her music and image toward a looser and more relaxed place, while also comforting fans who might be going through the same monumental life changes. Good show.īaltimore hardcore quintet Turnstile balances tradition and careful innovation on this year’s Glow On, the band’s third studio album and its first collaboration with hip-hop producer Mike Elizondo, best known for work with Dr. Glow On is slower and more experimental than 2015’s Nonstop Feeling and 2018’s Time and Space, but the riffs still destroy. The breakdowns remain powerfully heavy they just come with intriguing production flourishes and stylistic detours now. “Mystery” is a catchy rocker whose grooves hit harder thanks to the hip-hop syncopation on the drums.

“Underwater Boi” submerges a sweet shoegaze tune in cartoonish atmospherics. “Don’t Play” outfits hard-core punk with South American rhythms “Alien Love Call” cribs a drum pattern from the Isley Brothers’ “Footsteps in the Dark” and serves guest vocals from Dev Hynes of Blood Orange, in a first for Turnstile. None of these excursions undercuts the power and intensity of the record, though. On Glow On, Turnstile stretches out but never softens up. Songwrights Apothecary Lab - the eighth album from vocalist, bassist, and producer Esperanza Spalding - is the rare release whose title lays out its purpose.

The culmination of years of musings on the healing properties of music, Lab offers a dozen shiftless, restless compositions, each with its own unique holistic objective.

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